Filmed over 5 years it’s a brave, powerful and deeply moving documentary. Sansour explores the story of Palestine through the microcosm of a family in exile and a daughter returning to her beloved Little Town.
A romantic Leila is attracted back home by childhood memories and Christmas card images of Bethlehem returning, just as plans for the apartheid wall become a reality.
The 8 metre high wall is brutal – trampling through neighbourhoods, carving up communities, blocking out light.
87% of Bethlehem’s land is taken by Israeli occupation enforced restrictions. 25% of Bethlehem’s agricultural land is now only accessible via a permit, which Palestinian farmers must have, to get to through the military checkpoints.
The wall isolates Palestinians from shops, parks and land. One in five people in Bethlehem are now unemployed in what was once a flourishing tourist destination. 62% of Bethlehem’s population are dependent on tourism. Realising the appalling impact on people and business, Sansour starts a campaign to Open Bethlehem. The film follows Leila as she builds a global coalition of agencies, NGO’s, and people; an ever present camera capturing meetings, conversation, rhetoric, promises and finally the heartbreak of a wall that for now isn’t moving.
‘Open Bethlehem’ captures the violent unrelenting machinery of occupation. Around Bethlehem there are 19 illegal Israeli settlements taking Palestinian land from local families and choking Palestinian neighbourhoods. “This is no place dreamers…”
This is an important film for anyone concerned with the Palestine, Israel, and the Middle east. If you’re interested in social movements the film is a compelling case study, summarising the impossible story of Israeli occupation, and a campaign for freedom of occupation, liberation from enclosure, and justice for both Israeli and Palestinian.
Finally the camera captures the hard work, commitment and fragility of a campaign, which even to Leila’s own family from outside Palestine, seems doomed to fail, blocked by the wall and occupation.
Sansour acknowledges there is very little hope for the future unless the wall comes down. However, the campaign continues, passports are printed and Bethlehem remains open. The film ends defiantly, with hope. “There’s no turning back when your heart is seized by the star of Bethlehem.”
Book the film at your local Ritzy for Christmas – take a gang along and then plan a long pub after for deep conversation. There are insights here for UK NGO’s charities, churches, activists, organisers and people of faith – a Palestinian theology of foolishness and faith, and a compelling commitment to change the world.